I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
The most extraordinary thing about writing is that when you've struck the right vein, tiredness goes. It must be an effort, thinking wrong.
Interpretation
Writing can bring a unique energy and clarity, making effort feel effortless when one is inspired.
Virginia Woolf highlights the paradox of writing: when one connects with their true creative potential, fatigue dissipates and the process becomes invigorating. However, she warns that failing to achieve this connection leads to a struggle, suggesting that true inspiration transcends the typical challenges of writing.
In practice
An author shared this quote during a workshop to inspire aspiring writers.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,β said Louis. βDeath and again death.β)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
When things get tough, this is what you should do: Make good art. I'm serious. Husband runs off with a politician -- make good art. Leg crushed and then eaten by a mutated boa constrictor -- make good art. IRS on your trail -- make good art. Cat exploded -- make good art. Someone on the Internet thinks what you're doing is stupid or evil or it's all been done before -- make good art.
It may be said that artist and censor differ in this wise: that the first is a decent mind in an indecent body and that the second is an indecent mind in a decent body.
If you want to be a psychological novelist and write about human beings, the best thing you can do is keep a pair of cats.
If you focus your energy on the camera, it takes away from the time you have to focus on the performances.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
People are already finding ways to make their music and play it in front of people and have a life in music, I guess, and I think that's pretty much all you can ask.
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