I keep my family out of my public life because it can be an awful nuisance to them. What's my mother going to tell strangers anyway? That I was a cute baby and that she's terribly proud of me? Nuts. Who cares?
Montgomery CliftRead
Failure and its accompanying misery is for the artist his most vital source of creative energy.
Interpretation
Artists draw inspiration from their failures and the emotions that come with them.
This quote by Montgomery Clift emphasizes the idea that the struggles and failures an artist faces can serve as powerful fuel for their creativity. Rather than viewing failure solely as a negative experience, Clift suggests that the emotional weight of such experiences can lead to profound artistic expression and innovation, highlighting the transformative power of adversity in the creative process.
In practice
This quote could be shared during an art workshop to encourage participants to embrace their creative failures.
I keep my family out of my public life because it can be an awful nuisance to them. What's my mother going to tell strangers anyway? That I was a cute baby and that she's terribly proud of me? Nuts. Who cares?
I don't want to be labeled as either a pansy or a heterosexual. Labeling is so self-limiting. We are what we do - not what we say we are.
Nobody ever lies about being lonely.
The only line that's wrong in Shakespeare is 'holding a mirror up to nature.' You hold a magnifying glass up to nature. As an actor you just enlarge it enough so that your audience can identify with the situation. If it were a mirror, we would have no art.
Before you can write a novel you have to have a number of ideas that come together. One idea is not enough.
Film acting, if you don't play the lead, you come, and you do your scenes in a few days, and you act with a couple of colleagues. All the rest of the actors you never see, and you don't even meet many of them. And you don't know what will happen with what you've done. Maybe it will be in the film, maybe it will not.
That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.
I never considered myself a movie star, and I didn't want to become a movie star, because as soon as you do, you throw away that possibility of playing character. You really do. All of a sudden you're just an entity, you know?
I'm not a theoretician about playwriting, but I have a strong sense that plays have to be pitched - the scene, the line, the word - at the exact point where the audience has just the right amount of information. It's like Occam's razor.
I can't help other people's frustrations. I don't owe people anything. If people would like to come to my concerts, I'd love them to come. And if they like the music that I make, I love that, too. But I do not make music for other people. I make it to please myself.
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