You will become way less concerned with what other people think of you when you realize how seldom they do.
David Foster WallaceRead
Fiction, poetry, music...these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.
Interpretation
Art forms like fiction, poetry, and music provide a space to confront and transform feelings of loneliness.
In this quote, David Foster Wallace expresses how various art forms serve as a refuge for emotions such as loneliness. He suggests that through engaging with fiction, poetry, and music, one is able to not only face loneliness but also transcend and redefine it, finding comfort and understanding within these creative expressions.
In practice
In a speech about the importance of creativity in mental health, one might cite this quote to highlight how art offers solace.
You will become way less concerned with what other people think of you when you realize how seldom they do.
Everything in my own immediate experience supports my deep belief that I am the absolute center of the universe, the realest, most vivid and important person in existence.
It seems important to find ways of reminding ourselves that most 'familiarity' is meditated and delusive.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
Acceptance is usually more a matter of fatigue than anything else.
Bliss - a-second-by-second joy and gratitude at the gift of being alive, conscious - lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like youβve never known will wash over you and just about kill you. Ride these out, and itβs like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom.
On film you put all your energies into a single glance.
Time, which despoils castles, enriches verses.
Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.
When I see a story, I ask: is this something I'd like to be in? Is this something I'd like to see? And if I'd like to see it, would I like to tell it?
I'm just going to make the music I love to make, and I'm going to mature with my music.
Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more.
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