One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
Alan MooreRead
I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.
Interpretation
Fictional characters reflect our deepest aspirations and dreams about who we are.
This quote by Alan Moore suggests that the characters we create in fiction, especially those found in adventure and heroic stories, are more than just creations; they are expressions of our own inner desires and identities. By examining these characters, we may uncover insights about ourselves, our hopes, and the qualities we aspire to embody, making them an essential part of our understanding of human nature and creativity.
In practice
In a discussion about storytelling in a creative writing workshop.
One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: βIn the beginning was the Word.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Love your rage, not your cage.
Even now, nature is the only flame, on which the poetic spirit feeds; from it alone it draws all its power, to it alone it speaks even in the artificial, in the man engaged in culture.
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
Writing is like shouting into the world. So when someone shouts back, it's a really big deal. To have people who read hundreds and hundreds of books a year say, 'Hey, we thought this was really great,' that's a huge self-esteem boost.
To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.
Maybe, as a Chinese woman, I was never told I would be a filmmaker, so I didn't have the ego set up.
I feed on good soup, not beautiful language.
Subscribe for the occasional hand-picked quote. No noise.