Perseverance has kept me going over the years. Things rarely happen overnight. Filmmakers should be prepared for many years of hard work. The sheer toil can be healthy and exhilarating.
Werner HerzogRead
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
Interpretation
Appreciating film should be an experience enriched by visual media rather than scholarly texts.
Werner Herzog suggests that to truly love film, one should immerse oneself in the visceral and visually stimulating aspects of cinema, such as colorful magazines and gossip, rather than getting bogged down in academic interpretations. He believes this approach promotes a healthier and more instinctual love for the art form, celebrating its entertainment value over scholarly critique.
In practice
During a film appreciation class, I mentioned Herzog's perspective to highlight the importance of visual media in understanding cinema.
Perseverance has kept me going over the years. Things rarely happen overnight. Filmmakers should be prepared for many years of hard work. The sheer toil can be healthy and exhilarating.
Hold firm to your vision but don't be a tyrant on set.
For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.
Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
Without dreams we would be cows in a field, and I don't want to live like that. I live my life or I end my life with this project.
Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch.
Your job is to get your audience to care about your obsessions.
It's a great thing that the United States has given the rest of the world - no other country has given such great popular music to the Far East and Europe. When I play those great countries, a lot of times, the audience starts singing the songs with me. They know them. They love them.
The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
Reruns are wonderful because it usually indicates that they had something going for them to begin with and that's why you're still looking at them. And in both my shows, The Dick Van Dyke Show and the last one, they were so well written and so good they hold up.
I think of making love and making art as being very parallel. Even the most amateur attempt can be thrilling.
History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.
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