Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Alfred HitchcockRead
Film your murders like love scenes, and film your love scenes like murders.
Interpretation
The quote suggests that both love and violence can be portrayed with the same intensity and authenticity in film.
Alfred Hitchcock's quote reflects on the intricacies of filmmaking, especially the emotional depth required to depict both love and violence. It implies that the passion found in love scenes should be mirrored in the suspense and raw emotion of murder scenes, challenging filmmakers to capture the essence of human experience in all its forms, whether tender or brutal.
In practice
This quote can be used in a film class discussion on the emotional depth required in cinematography.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.
I can't read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
Seeing a murder on television can help work off one's antagonisms. And if you haven't any antagonisms, the commercials will give you some.
There is something more important than logic: imagination
If what you want to paint is the emotive mood in all its strength... then you must not sit and stare at everything and depict it exactly as one sees it.
How many writers are there... who, breaking up their subject into details, destroy its life, and defraud us of the whole by their anxiety about the parts.
For art to be reality, the whole sensuous being must be caught up in the experience.
Artists are the antennae of the race, but the bullet-headed many will never learn to trust the great artists.
Playwriting is the last great bastion of the individual writer. It's exciting precisely because it's where the money isn't. Money goes to safety, to consensus. It's not individualism.
I'd like to play for you one of my compositions, my only composition.
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