Listen, three eyes," he said, "don't you try to outweird me, I get stranger things than you free with my breakfast cereal.
Douglas AdamsRead
The film project has been “twenty years of constipation,” and he likens the Hollywood process to “trying to grill a steak by having a succession of people coming into the room and breathing on it.”
Interpretation
Creating a film can be an excruciatingly slow process, often hindered by too many intervening influences.
In this quote, Douglas Adams expresses his frustration with the lengthy and cumbersome film-making process. He uses the metaphor of 'twenty years of constipation' to illustrate how ideas and projects can get stuck and not progress, while likening the Hollywood approach to cooking to a farcical scenario where the proper outcome is impossible due to excessive interference, highlighting the absurdity and challenges of artistic endeavors in the film industry.
In practice
In a discussion about the lengthy process of film productions at a filmmaker's forum.
Listen, three eyes," he said, "don't you try to outweird me, I get stranger things than you free with my breakfast cereal.
"What's so unpleasant about being drunk?" "Ask a glass of water."
Protect me from knowing what I don't need to know. Protect me from even knowing that there are things to know that I don't know. Protect me from knowing that I decided not to know about the things that I decided not to know about. Amen. [...] Lord, lord, lord. Protect me from the consequences of the above prayer.
Computers are still technology because we are still wrestling with it: it's still being invented; we're still trying to work out how it works. There's a world of game interaction to come that you or I wouldn't recognise. It's time for the machines to disappear. The computer's got to disappear into all of the things we use.
What the computer in virtual reality enables us to do is to recalibrate ourselves so that we can start seeing those pieces of information that are invisible to us but have become important for us to understand.
We are stuck with technology when all we really want is just stuff that works. How do you recognize something that is still technology? A good clue is if it comes with a manual.
There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
You can be Eastern or Burmese or what have you, but the function of the body and the awareness of the body results in dance and you become a dancer, not just a human being.
A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.
I have found that all ugly things are made by those who strive to make something beautiful, and that all beautiful things are made by those who strive to make something useful.
Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
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