Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael HanekeRead
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
Interpretation
Michael Haneke emphasizes the importance of confronting uncomfortable realities through film as a form of artistic expression.
In this quote, Michael Haneke articulates his artistic philosophy, where he uses film as a medium to reflect on and address societal issues that are often ignored in mainstream entertainment. He believes that true dramatic art challenges audiences to confront difficult or overlooked subjects, thereby provoking thought and reflection, rather than simply offering entertainment that avoids these critical themes.
In practice
Use this quote in a film class to discuss the role of filmmakers in addressing social issues.
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
All movies assault the viewer in one way or another.
An artist is someone who should raise questions rather than give answers. I have no message.
It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
Artists are the monks of the bourgeois state.
Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.
Music is enough for a lifetime - but a lifetime is not enough for music.
I believe in creative control. No matter what anyone makes, they should have control over it.
Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
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