I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
Max BeckmannRead
Films are neither true nor false. That includes my films, as well as others. They may make claims that are true or false, but films are too complex. They have too many ingredients.
Interpretation
Films are complex and cannot be simply classified as true or false since they incorporate various elements.
In this quote, Errol Morris emphasizes the intricate nature of films, asserting that they cannot be reduced to mere binaries of truth and falsehood. He acknowledges that while films can make truthful or untruthful claims, the artistry and complexity involved in filmmaking transcend simplistic categorizations, suggesting a deeper exploration of the meanings and messages conveyed through the medium.
In practice
During a discussion on film analysis in class.
I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and importance to artists, scholars and the general public.
They say that to be a writer you must first have an unhappy childhood. I don't know if unhappiness is necessary, but I think maybe some children who have suffered a loss too great for words grow up into writers who are always trying to find those words, trying to find a meaning for the way they have lived
When one lives in a society where people can no longer rely on the institutions to tell them the truth, the truth must come from culture and art.
Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.
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