I am a firm believer that a good plot makes for a fun enough read, but it's not what binds us. If we don't care about the characters, we won't care - not in a lasting way - about what's happening to them.
Interpretation
Character connection is essential for a compelling story.
V. E. Schwab emphasizes that while a good plot may attract readers, it is the emotional connection to characters that truly engages them. Without empathy for the characters' experiences, the story loses its significance and impact, leading to a fleeting interest rather than a lasting impression.
In practice
In a book club discussion, this quote could be used to highlight the importance of character development.
I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.
Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it. I feel that at any stage of my literary career it could have been said that the last book contained all the others.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
Literature sucks you into another psyche. So the creation of empathy necessarily influences how you'll behave to other people.
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
If you read quickly to get through a poem to what it means, you have missed the body of the poem.
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