If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
Carlos SantanaRead
First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.
Interpretation
The origins of Latin music are deeply rooted in African influences, and Black artists deserve recognition.
Carlos Santana emphasizes that what is often labeled as Latin or Spanish music actually has its foundations in African music, advocating for the acknowledgment of Black individuals and their contributions to this musical genre. By shedding light on these origins, Santana seeks to rectify historical oversights and honor the heritage that shapes contemporary Latin music.
In practice
Discussing the influence of African culture in a music class.
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
Load up our guns Bring your friends It's fun to lose and to pretend
The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.
As a kid, on the cotton fields, I had this tune in my head. I hummed it and sang it. It was the same melody as 'When A Man Loves A Woman.' I could never, ever forget it.
If you have to ask what jazz is, you'll never know.
My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.
My mentor was Clara Ward of the famous Ward gospel singers of Philadelphia. And my dad was my coach. He coached me. And just my natural love for music is what drove me.
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