Dance, dance, otherwise we are lost.
Pina BauschRead
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
Interpretation
The quote emphasizes the emotional expression inherent in choreographing dance, highlighting the connection between various artistic elements.
Pina Bausch conveys that her approach to choreography transcends mere movement; it is a medium for expressing complex emotions that are hard to articulate. She believes that each dance piece, while unique, serves a collective purpose where music, staging, and choreography interact harmoniously to communicate deeper truths and feelings.
In practice
In a dance workshop, this quote could inspire students to explore their emotional expressions through movement.
Dance, dance, otherwise we are lost.
To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life. When you create a new work, the point of departure must be contemporary life -- not existing forms of dance.
Flaubert called himself a human pen; I would say that I am a human ear. When I walk down the street and catch words, phrases, and exclamations, I always think - how many novels disappear without a trace! Disappear into darkness.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
Beauty is produced by the pleasing appearance and good taste of the whole, and by the dimensions of all the parts being duly proportioned to each other.
People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
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