Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
George C. WolfeRead
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
Interpretation
The quote highlights the significance and shock of racial representation in theater.
George C. Wolfe reflects on his historic role as a person of color directing a major Broadway production, expressing both pride and a sense of disbelief about the lack of diversity in the arts during that era. His words underscore the ongoing challenges of racial representation and equity within the theater industry, prompting questions about progress and the need for inclusive voices.
In practice
This quote can be used in discussions about diversity initiatives in the arts.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
I was raised to believe that other people's suffering was my responsibility.
One thing I tend to do is ask actors tons and tons of questions to try to get at what they're thinking but also to expose to them whatever box they've placed their characters in - to blow up that box so the journey can begin.
Ballet became this escape for me. I feel like I was on my own a lot. I was searching for stability, so I was going off on my own and imagining what I thought stability was. Ballet became a way for me to cope.
I can't read novels while I'm writing a novel, because somebody's voice creeps in.
There is nothing harder to learn than painting and nothing which most people take less trouble about learning. An art school is a place where about three people work with feverish energy and everybody else idles to a degree that I should have conceived unattainable by human nature.
My brain hums with scraps of poetry and madness.
Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
Occasionally, in times of worry, I've longed to be stylish, but on second thought I say no-just let me be myself-and express rough, yet true things with rough workmanship.
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