My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
Interpretation
Success comes from perseverance and guidance, even from failure.
David Henry Hwang's reflection on his early experiences as a playwright emphasizes the importance of mentorship and persistence in the creative process. He acknowledges that despite the poor quality of his initial works, the belief of a supportive teacher and the encouragement from accomplished peers allowed him to tap into deeper, more authentic expressions of his experiences, leading to impactful material about cultural clashes.
In practice
In a speech about the importance of arts education, this quote could highlight how mentorship shapes young artists.
There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian.
As Asian-Americans, the charge that is often lobbed against us is sort of the least original: the idea that somehow we're perpetual foreigners, that we can't be trusted, and that even my father, who was patriotic to the point that it was kind of a joke among his children, would be accused of being disloyal to America.
You can't be a playwright without believing there's an audience for adventurous work.
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.
This is the ultimate cruelty, isn't it? That I can talk and talk and to anyone listening, it's only air--too rich a diet to be swallowed by a mundane world.
I do not have many things that are meaningful to me. Except my doubts and my fears. And my art.
A lot of people insisted on a wall between modern dance and ballet, that the two disciplines were totally separate, and if you did one, you couldn’t do the other. I’m beginning to think that walls are very unhealthy things.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
How do you paint yellow wheat against a yellow sky? You paint it jet black.
I write essays to clear my mind. I write fiction to open my heart.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
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