The further off from England the nearer is to France-_x000D_ _x000D_ Then turn not pale, beloved snail, but come and join the dance.
Lewis CarrollRead
She tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing.
Interpretation
The quote reflects on the fleeting nature of experiences and memories.
In this quote, Lewis Carroll explores the concept of ephemeral moments and the difficulty of recalling sensations once they have passed. The imagery of a candle's flame going out suggests a profound loss of something once vibrant and illuminating, prompting a contemplation of how quickly experiences fade from memory and how we seek to understand what we can no longer perceive.
In practice
In a discussion about the nature of memories, one might quote this to emphasize how some experiences can be difficult to recall.
The further off from England the nearer is to France-_x000D_ _x000D_ Then turn not pale, beloved snail, but come and join the dance.
To the Looking-Glass world it was Alice that said 'I've a sceptre in hand, I've a crown on my head. Let the Looking-Glass creatures, whatever they be, Come and dine with the Red Queen, the White Queen, and me.
So she was considering in her own mind...whether the pleasure of making a daisy-chain would be worth the trouble of getting up & picking the daisies.
Once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people.
Rule Forty-two. All persons more than a mile high to leave the court.
Crawling at your feet,' said the Gnat (Alice drew her feet back in some alarm), `you may observe a Bread-and-Butterfly. Its wings are thin slices of Bread-and-butter, its body is a crust, and its head is a lump of sugar.' And what does IT live on?' Weak tea with cream in it.' A new difficulty came into Alice's head. `Supposing it couldn't find any?' she suggested. Then it would die, of course.' But that must happen very often,' Alice remarked thoughtfully. It always happens,' said the Gnat.
When I started out, nearly every architect I knew was working in public practice; that's where the radical thinking was done. But, there's always a danger of looking back as our fathers did and saying, 'Things were better then.'
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.
This is a fundamental view of the world. It says that when you build a thing you cannot merely build that thing in isolation, but must repair the world around it, and within it, so that the larger world at that one place becomes more coherent, and more whole; and the thing which you make takes its place in the web of nature, as you make it.
You can live in the world of myth and be taken seriously.
Alas, everything that men say to one another is alike; the ideas they exchange are almost always the same, in their conversation. But inside all those isolated machines, what hidden recesses, what secret compartments! It is an entire world that each one carries within him, an unknown world that is born and dies in silence! What solitudes all these human bodies are!
Lastly, he must remember that he himself hath no exemption from the common lot, but that he is bound by the same laws of mortality, and liable to the same ailments and afflictions with his fellows.
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