A bit of advice, don't copy nature too closely. Art is an abstraction; as you dream amid nature, extrapolate art from it, and concentrate on what you will create as a result.
Paul GauguinRead
The flat sound of my wooden clogs on the cobblestones, deep, hollow and powerful, is the note I seek in my painting.
Interpretation
The quote expresses the importance of sound and texture in the creative process of painting.
Paul Gauguin highlights how the auditory experience of his wooden clogs resonates deeply with him, informing and inspiring his artwork. This suggests that art is not only visual but can also involve other senses, indicating that every element of an artist's environment can influence their creativity.
In practice
An artist might use this quote to explain their creative process during a gallery opening.
A bit of advice, don't copy nature too closely. Art is an abstraction; as you dream amid nature, extrapolate art from it, and concentrate on what you will create as a result.
A critic in my house sees some paintings. Greatly perturbed, he asks for my drawings. My drawings? Never! They are my letters, my secrets.
A hint - don't paint too much direct from nature. Art is an abstraction! study nature then brood on it and treasure the creation which will result, which is the only way to ascend towards God - to create like our Divine Master.
Life has no meaning unless one lives it with a will, at least to the limit of one's will. Virtue, good, evil are nothing but words, unless one takes them apart in order to build something with them; they do not win their true meaning until one knows how to apply them.
Art is either plagiarism or revolution.
Art requires philosophy, just as philosophy requires art. Otherwise, what would become of beauty?
There's blood, a taste I remember. It tastes of orange popsicles, penny gumballs, red licorice, gnawed hair, dirty ice.
I have never followed fashion. What is fashion to me? I just think of things that inspire me, that inspire women, and I design that way.
Now I need to take a piece of wood and make it sound like the railroad track, but I also had to make it beautiful and lovable so that a person playing it would think of it in terms of his mistress, a bartender, his wife, a good psychiatrist - whatever.
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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