I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.
Interpretation
The quote reflects on the fleeting nature of time and how moments transition into memories as we move forward.
In this quote, Virginia Woolf captures a profound moment of transition, illustrating how life’s experiences are ephemeral. The character stands at a threshold, symbolizing a pivotal moment between the present and the past, emphasizing that as she leaves a scene, it transforms into a memory. This idea speaks to the broader human experience of change and the inevitability of moving on from moments that shape our lives.
In practice
In a speech about embracing change, one could introduce this quote to illustrate how moments become memories.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,” said Louis. “Death and again death.”)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
Nobody would know me from my own description of myself; which is why, when called upon (rarely, I grant) to provide an account, I tailor it, I adapt, I try to provide an outline that can, in some way, correlate to the outline that people understand me to have -- that, I suppose, I actually have, at this point. But who I am in my head, very few people really get to see that. Almost none. It's the most precious gift I can give, to bring her out of hiding.
Religion is to mysticism what popularization is to science
Stoicism is about the *domestication* of emotions, not their elimination.
Futility Move him into the sun - Gently its touch awoke him once, At home, whispering of fields unsown. Always it woke him, even in France, Until this morning and this snow. If anything might rouse him now The kind old sun will know. Think how it wakes the seeds, - Woke, once, the clays of a cold star. Are limbs, so dear-achieved, are sides, Full-nerved -still warm -too hard to stir? Was it for this the clay grew tall? -O what made fatuous sunbeams toil To break earth's sleep at all?
How do you lose a word? Does it vanish into your memory, like an old toy in a cupboard, and lie hidden in the cobwebs and dust, waiting to be cleaned out or rediscovered?
Dissents are appeals to the brooding spirit of the law, to the intelligence of another day.
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