Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
Interpretation
Writing offers a crucial outlet for self-expression and helps distinguish between truth and fiction.
In this quote, Betty Smith emphasizes the vital role of writing in shaping one's character. For young Francie, writing was not just a creative endeavor; it was a formative experience that provided clarity and integrity. Without this outlet, the danger of succumbing to falsehoods loomed large, highlighting the importance of artistic expression in personal development and moral grounding.
In practice
Mentioning this quote during a writing workshop to encourage young writers.
Dear God," she prayed, "let me be something every minute of every hour of my life. Let me be gay; let me be sad. Let me be cold; let me be warm. Let me be hungry...have too much to eat. Let me be ragged or well dressed. Let me be sincere - be deceitful. Let me be truthful; let me be a liar. Let me be honorable and let me sin. Only let me be something every blessed minute. And when I sleep, let me dream all the time so that not one little piece of living is ever lost.
Oh, magic hour, when a child first knows she can read printed words.
I know that's what people say-- you'll get over it. I'd say it, too. But I know it's not true. Oh, youll be happy again, never fear. But you won't forget. Every time you fall in love it will be because something in the man reminds you of him.
It was the last time she’d see the river from that window. The last time of anything has the poignancy of death itself. This that I see now, she thought, to see no more this way. Oh, the last time how clearly you see everything; as though a magnifying light had been turned on it. And you grieve because you hadn’t held it tighter when you had it every day.
It doesn't take long to write things of which you know nothing. When you write of actual things, it takes longer, because you have to live them first.
Because the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination.
I find with records, they become what they're going to become. They take on a power and a direction of their own. Part of making records is to honor that and not try to force it.
I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and yet at the same time, It's a miracle, it's an ecstasy.
She fell asleep, and it was a sleep as thin as the night clouds, dotted with dreams that came and went like the stars.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
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