If you feel dirty, insignificant or unloved, then rats are a good role model. They exist without permission, they have no respect for the hierarchy of society, and they have sex 50 times a day.
BanksyRead
It's a very frustrated feeling you get when the only people with good photos of you work are the police department.
Interpretation
The quote expresses frustration about how one's artistic work is recognized mainly in a negative context by authorities.
Banksy's quote highlights the irony and frustration that can arise when an artist's best and most impactful works are documented or appreciated primarily by the authorities, particularly in situations where such works are seen as subversive or controversial. This points to the broader theme of how society often recognizes and reacts to art, especially when it challenges the status quo or prompts critical reflection.
In practice
This quote could be used in an art exhibition to provoke discussion on how society views street art.
If you feel dirty, insignificant or unloved, then rats are a good role model. They exist without permission, they have no respect for the hierarchy of society, and they have sex 50 times a day.
T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.
I originally set out to try and save the world, but now I'm not sure I like it enough.
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
Think outside the box, collapse the box, and take a f**king sharp knife to it.
Gaza is often described as 'the world's largest open air prison' because no-one is allowed to enter or leave. But that seems a bit unfair to prisons - they donβt have their electricity and drinking water cut off randomly almost every day.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
The artist's job is to be a witness to his time in history.
Let your fiction grow out of the land beneath your feet.
When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
I learned not to care ... and to write for an imaginary reader whose tastes were similar to my own.
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