Frustration is one of the great things in art. Satisfaction is nothing.
Interpretation
Frustration is a crucial part of the artistic process, while satisfaction is ultimately unimportant.
In this quote, Philip Guston highlights the importance of frustration in the creative journey. He suggests that the struggle and challenges faced during the artistic process are essential for growth and expression, whereas the final satisfaction of completing a piece is trivial in comparison to the experiences gained along the way.
In practice
In a discussion about creativity at an art workshop.
No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.
I go to the studio everyday because one day I may go and the Angel will be there. What if I don't go and the Angel comes?
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
If the artist starts evaluating himself, itβs an enormous block, isnβt it?
Painting is an illusion, a piece of magic, so what you see is not what you see.
Probably the most potent desire for a painter, an image-maker, is to see it. To see what the mind can think and imagine, to realize it for oneself, through oneself, as concretely as possible.
A man climbs a mountain because it is there. An artist makes a work of art because it is not there.
What's swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don't have to ask anybody if that's good music or not. You can always feel it.
It wasn't stone. It wasn't welded steel. It wasn't traditional sculpture. They thought it was craft, or something else, but not art. They couldn't define it in the early Fifties when I was starting out.
For me, performance is a holy ground. When I perform, I really step into a different state of consciousness.
Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
She adored all beautiful things in their every curve and fragrance, so that they became part of her. Day by day, she gathered beauty; had she had no heart (she who was the bosom of womanhood) her thoughts would still have been as lilies, because the good is the beautiful.
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