Art is, for me, the process of trying to wake up the soul. Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
Bill ViolaRead
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
Interpretation
Bill Viola emphasizes that the essence of video lies not in the images themselves but in the movement they capture.
In this quote, Bill Viola articulates a fundamental concept about video art: while the visual images may captivate audiences with their electronic manipulation and creativity, it is ultimately the dynamic quality of movement that defines the medium. He suggests that video is an ephemeral art form, capturing moments that continuously evolve, presenting a unique perspective that distinguishes it from static forms of visual art.
In practice
During a documentary film festival to highlight the evolution of video art.
Art is, for me, the process of trying to wake up the soul. Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
Art has always had as its test in the long term the ability to speak to our innermost selves.
Painting is but another word for feeling.
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
The sort of man who admires Italian art while despising Italian religion is a tourist and a cad.
When I go to the cinema, I'm often frustrated because I can guess exactly what is going to happen about ten minutes into the screening. So, when I'm working on a subject, I'm always looking for the element of surprise.
I was not interested in irony; I wanted to emphasize the primacy of the idea in making art
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