Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
I like looking at geniuses and listening to beautiful people.
Interpretation
The quote reflects an appreciation for intelligence and beauty in the world around us.
Oscar Wilde's quote speaks to the admiration for exceptional qualities in people—both intellect and physical beauty. It suggests a joy in observing those who stand out and inspire through their brilliance or allure, highlighting the value of aesthetic and intellectual experiences in life.
In practice
This quote can be used in an art appreciation class to emphasize the importance of beauty and brilliance.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
I don’t believe in an art that is not born out of man’s need to open his heart.
I feel blessed that I found not just a profession, but a 24/7 way of life that I purely love. That curiosity to be current, to listen to the Hozier album, to be early in recognition of a Lorde and spending time with her and Miguel, the pleasure of seeing new talent erupt... I love it.
Art bids us touch and taste and hear and see the world, and shrinks from what Blake calls mathematic form, from every abstract form, from all that is of the brain only.
I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.
I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.
After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.
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