What is real for me are the illusions I create with my paintings. Everything else is quicksand.
Eugene DelacroixRead
Glass is the most magical of all materials. It transmits light in a special way...Im pleased that my art appeals to so many people of all ages. As a parent and an artist, Im especially looking forward to leaving a legacy at The Childrens Museum, a place where I hope my work brings joy to children who visit from all over the world.
Interpretation
This quote reflects the beauty of glass as an art medium and the joy it brings to people, especially children.
Dale Chihuly highlights the unique qualities of glass as an artistic material that not only transforms light but also has the power to connect with people across generations. He expresses his desire to leave a meaningful legacy at The Children's Museum, aiming to inspire and bring joy to young visitors through his art, which embodies both creativity and wonder.
In practice
In a speech at an art exhibition, you might say, 'As Dale Chihuly once noted, glass is the most magical of all materials, and I hope my own work brings similar joy.'
What is real for me are the illusions I create with my paintings. Everything else is quicksand.
A concert is not a live rendition of our album. It's a theatrical event. I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
Novelists embody plural selves all the time. What are characters, after all, if not other selves?
I tend to jot down moments, lines, interactions that don't really make any sense. I try and explain these scattered notes to my close friends, and they become more and more logical. I see screenwriting as a bit like a math equation which I have to solve.
Any photograph has multiple meanings: indeed, to see something in the form of a photograph is to encounter a potential object of fascination. The ultimate wisdom of the photographic image is to say: “There is the surface. Now think – or rather feel, intuit – what is beyond it, what the reality must be like if it looks this way.’ Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy
The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.
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