She breathed deeply of the scent of decaying fiction, disintegrating history, and forgotten verse, and she observed for the first time that a room full of books smelled like dessert: a sweet snack made of figs, vanilla, glue, and cleverness.
I see God now as an unimaginative writer of popular fictions, someone who builds stories around sadistic and graceless plots, narratives that exist only to express His terror of a woman's power to choose who and how to love, to redefine love as she sees fit, not as God thinks it ought to be. The author is unworthy of His own characters.
Interpretation
What this quote means
The quote critiques the concept of a divine author, suggesting that God creates flawed narratives that reflect a fear of women's autonomy in love.
In this quote, Joe Hill expresses skepticism about the nature of God as a storyteller in human affairs, implying that the narratives attributed to God are limited and reflect a fear of women's power in making their own choices about love. He portrays God as an unimaginative figure whose stories revolve around oppressive themes, undermining the complexity and autonomy of women's experience in determining love and relationships, thus asserting that the divine creator is less competent than the characters He creates.
Themes
In practice
Example use cases
In a discussion about women's rights, this quote could highlight the importance of individual choice in love.
More from Joe Hill
All quotes →The mad sometimes drilled holes in their own heads to let the demons out. To relieve the pressure of thoughts they could no longer bear. Jude understood the impulse. Each beat of his heart was a fresh and staggering blow felt in the nerves behind his eyes and in his temples. Punishing evidence of life.
It was something... the way a person's life picked up speed, the way a life was like a bullet aimed at one final target, impossible to slow or turn aside, and like the bullet, you were ignorant of what you were going to hit, would never know anything except the rush and the impact.
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