Good design is clear thinking made visible, bad design is stupidity made visible
Edward TufteRead
Good design is a lot like clear thinking made visual.
Interpretation
Good design translates clear thoughts into visual forms.
This quote emphasizes the importance of effective design as a means of conveying clarity and understanding. Just as clear thinking can help in resolving complex issues, good design enables ideas to be communicated visually, making them more accessible and engaging to others.
In practice
A design seminar discussing the value of visual communication in presentations.
Good design is clear thinking made visible, bad design is stupidity made visible
I have stared long enough at the glowing flat rectangles of computer screens. Let us give more time for doing things in the real world...plant a plant, walk the dogs, read a real book, go to the opera.
There is no such thing as information overload, just bad design. If something is cluttered and/or confusing, fix your design.
The minimum we should hope for with any display technology is that it should do no harm.
PowerPoint is like being trapped in the style of early Egyptian flatland cartoons rather than using the more effective tools of Renaissance visual representation.
If youβre told what to look for, you canβt see anything else.
The way someone who's being photographed presents himself to the camera, and the effect of the photographer's response on that presence, is what the making of a portrait is all about.
Science studies the relations of things to each other: but art studies only their relations to man.
As an artist, as a brand, as a rapper, as a musician, you know you got a window and a lot of people, even an athlete; they don't have no exit strategy. It's just living in the false reality that it's going to be like this forever.
There's something wonderfully exciting about the quiet sing song of an aeroplane overhead with all the guns in creation lighting out at it, and searchlights feeling their way across the sky like antennae, and the earth shaking snort of the bombs and the whimper of shrapnel pieces when they come down to patter on the roof.
Throughout his work, Philip Levine's most powerful commitment has been to the failed and lost, the marginal, the unloved, the unwanted.
My writing has been largely concerned with the depicting of Negro life in America.
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