Good novels are produced by people who voluntarily isolate themselves and go deep, and report from the depths on what they find.
Interpretation
Good literature requires deep introspection and solitude from the writer.
This quote emphasizes the importance of solitude and introspection for writers in creating profound literature. Jonathan Franzen suggests that only by isolating oneself and exploring their inner depths can an author produce truly impactful and authentic stories that resonate with readers.
In practice
In a writers' workshop, to inspire participants to delve deeper into their topics.
Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.
The problem was money and the indignities of life without it. Every stroller, cell phone, Yankees cap, and SUV he saw was a torment. He wasn't covetous, he wasn't envious. But without money he was hardly a man.
Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.
If multiculturalism succeeds in making us a nation of independently empowered tribes, each tribe will be deprived of the comfort of victimhood and be forced to confront human limitation for what it is: a fixture of life.
To read is to have experiences; every book changes my life at least a little bit. The first time I can remember this happening was when I was 10, with a biography of Thomas Edison.
If you have not had direct firsthand experience of loving a category of person - a person of a different race, a profoundly religious person, things that are real stark differences between people - I think it is very hard to dare, or necessarily even want, to write fully from the inside of a person.
There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound.
I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'
The sun had, in the meanwhile, sunk behind the Ettersberg. We felt in the wood the chill of the evening, and drove all the quicker to Wiemar, and to Goethe's house. Goethe urged me to go in with him for a while, and I did so. He was in an extremely engaging mood. He talked a great deal about his theory of colors, and of his obstinate opponents; remarking that he was sure that he had done something in this science.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic. I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
Music washes away the dust of every day life.
When you're a performer, of course you want an audience, but it's very, very different from courting fame.
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