Photography is more than a medium for factual communication of ideas. It is a creative art.
Ansel AdamsRead
A good photograph is knowing where to stand.
Interpretation
The essence of taking a great photograph lies in the photographer's ability to choose the right perspective.
Ansel Adams' quote highlights the importance of perspective in photography, suggesting that the skill of a photographer is not just about technical ability, but knowing how to position oneself to capture the best image. This reflects the broader idea that perspective is crucial in any creative endeavor, as it influences the outcome and emotional impact of the work.
In practice
During a photography workshop, the instructor quoted Ansel Adams to illustrate the importance of perspective in capturing stunning images.
Photography is more than a medium for factual communication of ideas. It is a creative art.
It is horrifying that we have to fight our own government to save the environment.
With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.
The sheer ease with which we can produce a superficial image often leads to creative disaster.
You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
To the children who loved Harry Potter, I want to say your enthusiasm was the real magic. I so enjoyed being on the journey with you. And to the adults who bought the Harry Potter books and devoured them, I just want to say, those books were for children.
In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
I've found that music allows years to fold like an accordion over each other, so I guess you don't feel the passage of time as much.
Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.
I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
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