It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
Ira GlassRead
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
Interpretation
Good radio storytelling employs techniques similar to fiction, emphasizing emotional depth and tone.
Ira Glass highlights that effective radio, like great fiction, relies on narrative techniques such as character development, evocative scenes, and pressing emotional questions. The importance of tone in storytelling is also emphasized, suggesting that the way a story is told can greatly influence its impact on the audience.
In practice
In a podcast about personal journeys, this quote can be used to explain the importance of storytelling.
It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
I wish that someone had said to me that it's normal to feel lost for a little while.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
Art is art, nature is nature, you cannot improve upon it.... Pictures should be inspired by nature, but made in the soul of the artist. It is the soul of the individual that counts.
Fashions come and go; bad taste is timeless.
In a photograph a personβs eyes tell much, sometimes they tell all.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
Everything of mine is permeated with my love of ideas-both big and small. It doesn't matter what it is, as long as it grabs me and holds me, facinates me. And then I'll run out and something about it... I write for fun.
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