A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
Interpretation
A good writer can evoke a range of emotions and experiences through diverse genres of writing.
Neil Gaiman emphasizes the versatility required of a skilled writer, suggesting that they should not only make the reader laugh or feel fear, but also inspire wonder through fantasy or sci-fi, and deliver clear information through journalism. This highlights the multifaceted nature of writing and the necessity for writers to engage with readers on various emotional and intellectual levels.
In practice
In a writing workshop to encourage students to explore different genres.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
Botox should be banned for actors, as steroids are for sportsmen. Acting is all about expression; why would you want to iron out a frown?
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
In television, the 60-minute series, 'The Wire' and 'Mad Men' and so on, the writer is the primary creative artist.
That kill the bloom before its time, And blanch, without the owner's crime, The most resplendent hair.
To a degree, the Greek and Roman mythological heroes are just the first superheroes. They appeal to children for much the same reason. These gods and heroes may have powers, but they get angry and they do the wrong thing. They are human too.
When I write I can shake off all my cares. My sorrow disappears, my spirits are revived.
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