Granny Weatherwaz was a witch. That was quite acceptable in the Ramtops, and no one had a bad word to say about witches. At least, not if he wanted to wake up in the morning the same shape as he went to bed.
Interpretation
This quote highlights the acceptance of individuality and the consequences of societal norms.
In this quote, Terry Pratchett reflects on the nature of acceptance within communities, using Granny Weatherwax as a symbol of the unconventional. The statement illustrates how a society can embrace diversity, particularly in cases like witchcraft, and underscores the importance of respecting those who may differ from the norm, emphasizing that speaking ill of someone could have personal repercussions.
In practice
This quote could be used in a discussion about societal norms and acceptance during a community meeting.
And then Jack chopped down what was the world's last beanstalk, adding murder and ecological terrorism to the theft, enticement, and trespass charges already mentioned, and all the giant's children didn't have a daddy anymore. But he got away with it and lived happily ever after, without so much as a guilty twinge about what he had done...which proves that you can be excused for just about anything if you are a hero, because no one asks inconvenient questions.
They've got something they do it with, I think it's called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man ... one vet. ... Everyone has ... the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extraction. And people disapproved of for, er, various reasons. And lots of other people. But everyone apart from them. It's a very enlightened civilization.
Geography is just physics slowed down, with a couple of trees stuck in it.
You can't trample infidels when you're a tortoise. I mean, all you could do is give them a meaningful look.
Any fool could be a witch with a runic knife, but it took skill to be one with an apple corer.
People look down on stuff like geography and meteorology, and not only because they're standing on one and being soaked by the other. They don't look quite like real science. But geography is only physics slowed down and with a few trees stuck on it, and meteorology is full of excitingly fashionable chaos and complexity. And summer isn't a time. It's a place as well. Summer is a moving creature and likes to go south for the winter.
Memory is a barricade against forgetting; light is a bulwark against darkness; life is a flex against the stillness of the grave. Maybe that's what I'm trying to do here, clear a space in all the debris, through all the anxieties and worries, where I can just exist, easily and simply, entire, for as long as I have left.
Let it not be a beautiful face,' I thought, 'but to make up for that, let it be a noble, an expressive, and, above all, an extremely intelligent one.
Sadly I write in my quiet room, alone as I have always been, alone as I will always be. And I wonder if my apparently negligible voice might not embody the essence of thousands of voices, the longing for self expression of thousands of lives, the patience of millions of souls resigned like my own to their daily lot, their useless dreams, and their hopeless hopes.
Paradox: how do we know what we have failed to see because we have no language to express it, thus we cannot know that we have failed to see it.
Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time.
The doors of Hell, insofar as they have locks, have locks on the inside.
Subscribe for the occasional hand-picked quote. No noise.