The sun never knew how great it was until it hit the side of a building.
A great building must begin with the unmeasurable, must go through measurable means when it is being designed and in the end must be unmeasurable.
Interpretation
What this quote means
This quote emphasizes the importance of both intangible inspiration and tangible processes in creating great architecture.
Louis Kahn highlights the paradox in architecture where a truly great building starts from an initial idea or vision that cannot be quantified, proceeds through practical, measurable design elements, and ultimately transcends quantification to become an experience that resonates on a deeper level. This reflects the journey of creative processes whereby inspiration and tangible reality must coexist and evolve together.
Themes
In practice
Example use cases
During a presentation on architectural philosophy, one might use this quote to illustrate the balance between creative vision and practical execution.
More from Louis Kahn
All quotes βI sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
Similar quotes
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
The Creator made Italy from designs by Michelangelo.
Avant-garde is French for bullshit
The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn't have needed anyone since.
As art sinks into paralysis, artists multiply. This anomaly ceases to be one if we realize that art, on its way to exhaustion, has become both impossible and easy.
In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.