Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
The great poet is always a seer, seeing less with the eyes of the body than he does with the eyes of the mind.
Interpretation
Poets perceive and understand the world more profoundly with their imagination than through physical sight.
Oscar Wilde's quote suggests that a true poet relies more on their inner vision or intuition than on what is visible to the naked eye. This emphasizes the idea that creativity and insight come from a deeper understanding and imagination rather than mere observation, highlighting the unique perspective that artists bring to their work.
In practice
During a poetry reading, this quote can be shared to emphasize the depth of a poet's insight.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Art is either plagiarism or revolution.
You obviously don't really forget how to play the old songs; you just don't have to spend so much time convincing yourself that you remember them. Way less mental energy is spent swimming around in lyrics you've already written and chords you've already played.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
I realised I had spent the majority of my adult life doing two characters - Maude from 1972-'79 and Dorothy from 1985-'92 - and I really didn't know what I wanted to do after 'Golden Girls.' I knew what I didn't want to do - any more sitcoms, or wait for the next great role that might never come.
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it β¦ Interviewers have said, you like jazz, donβt you? Because we can hear it in your writing. And I thought that was a compliment.
There is only one valuable thing in art: the thing you cannot explain.
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