Jump off. You are a protected individual. Do not fear.
Henry MillerRead
The great work must inevitably be obscure, except to the very few, to those who like the author himself are initiated into the mysteries. Communication then is secondary: it is perpetuation which is important. For this only one good reader is necessary.
Interpretation
The true essence of great art is often only appreciated by a select few, and what matters is that it endures through time rather than how widely it is communicated.
Henry Miller's quote emphasizes the idea that profound artistic work often goes unrecognized by the masses and is understood only by a small, initiated group. He argues that the real value of such art lies in its ability to be preserved and appreciated by even a single discerning individual, suggesting that the survival of the artwork is more significant than its immediate visibility or popularity.
In practice
This quote can be used in an art class to discuss the hidden meanings in artwork.
Jump off. You are a protected individual. Do not fear.
I saw through to the last sign and symbol, but I could not read her face. I could see only the eyes shining through, huge, fleshy-like luminous beasts, as though I were swimming behind them in the electric effluvia of her incandescent vision.
The essential thing is to WANT to sing. This then is a song. I am singing.
Great God! What have I turned into? What right have you people to clutter up my life, steal my time, probe my soul, suckle my thoughts, have me for your companion, confidant, and information bureau? What do you take me for? Am I an entertainer on salary, required every evening to play an intellectual farce under your stupid noses? Am I a slave, bought and paid for, to crawl on my belly in front of you idlers and lay at your feet all that I do and all that I know?
We are swimming on the face of time and all else has drowned, is drowning, or will drown.
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing.
Writing is a solitary experience. I'm extremely superstitious. If I talk about the book or name the title out loud before finishing, I feel the energy I need to write will be drained. It's so intimate, I can't even share it with my wife.
Almost 70 years have gone by, and I've still got that feeling when I write... Writing, for me, is still it. It has always been the basis of everything I do. I'm a writer who performs, not a performer who writes. I love the act of writing. It's still a thrill for me.
Compare the silent rose of the sun And rain, the blood-rose living in its smell, With this paper, this dust. That states the point.
I write in the morning at a table, longhand on yellow legal pads, just like Nixon, when Iβm doing fiction.
The things we truly love, the things forming the basis and roots of our being, are generally things we never look at. A huge piece of carpeting, empty and naked plains, silent and uninterrupted stretches with nothing to alter the homogeneity of their continuity. I love wide, homogenous worlds, unstaked, unlimited like the sea, like high snows, deserts, and steppes.
The secret is not to write about what you love best, but about what you, alone, love at all.
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