History is how we have learnt to think about ourselves. It's not as though the Greeks and Romans are static entities out there to be discovered and translated. We make them speak, we talk to them, and they inform what we say.
Mary BeardRead
Greek myths, early Roman history, is configured around violence against women. And I think we need to get in there, get our hands dirty, face it, and see why and how it was.
Interpretation
The quote highlights the historical prevalence of violence against women in ancient myths and encourages a deeper examination of this phenomenon.
Mary Beard's quote emphasizes the need to confront and analyze the violent representations of women in Greek myths and early Roman history. She advocates for a proactive approach to uncover the underlying reasons and societal structures that perpetuated such violence, suggesting that understanding this past is crucial for addressing it in contemporary discussions about gender and violence.
In practice
In a lecture on gender studies, to illustrate the persistence of gendered violence throughout history.
History is how we have learnt to think about ourselves. It's not as though the Greeks and Romans are static entities out there to be discovered and translated. We make them speak, we talk to them, and they inform what we say.
I don't think that we are completely dominated by what we have inherited from the past, but it is the case that as far back as you can go - just to Homer, but also to the literature of Rome, the literature of the Middle Ages and Renaissance - what you will find is that women's voices are not taken seriously.
What politicians do is they never get the rhetoric wrong, and the price they pay is they don't speak the truth as they see it. Now, I will speak truth as I see it, and sometimes I don't get the rhetoric right. I think that's a fair trade-off.
I'd quite like to be in Caligula's court - living in the back room somewhere and just being able to observe.
Whatever you say about popular culture, people like people who know things, who are experts, and it doesn't particularly matter what they look like.
There is no way, absolutely no way, that I would want people to stop reading the 'Odyssey.' But I want them to read it with their eyes open. To notice it and then to think what it says about us.
It's a wonderful story for the gun lobby to tell that if you just load up schools with weapons, you'll be safer. All of the evidence suggests that homes and communities that have more weapons have more gun crimes, not less.
Patience is a mind that is able to accept fully and happily, whatever occurs. It is much more than just gritting our teeth and putting up with things. Being patient means to welcome wholeheartedly whatever arises, having given up the idea that things should be other than what they are.
Everything is arranged so that it be this way, this is what is called culture.
For all cats have this particularity, each and every one, from the meanest alley sneaker to the proudest, whitest she that ever graced a pontiff's pillow — we have our smiles, as it were, painted on. Those small, cool, quite Mona Lisa smiles that smile we must, no matter whether it's been fun or it's been not. So all cats have a politician's air; we smile and smile and so they think we're villains
Human beings never think for themselves. For the most part, members of our species simply repeat what they are told - and become upset if they are exposed to any different view. The characteristic human trait is not awareness but conformity. We are stubborn, self-destructive conformists. Any other view of our species is just a self-congratulatory delusion.
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
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