I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
James JoyceRead
The heaventree of stars hung with humid nightblue fruit.
Interpretation
This quote poetically describes a night sky filled with stars, likening them to ripe fruit.
James Joyce's quote evokes a vivid and imaginative image of the night sky as a 'heaventree' adorned with stars, which are likened to 'humid nightblue fruit'. This metaphor suggests the beauty and richness of the cosmos, inviting the reader to appreciate the celestial wonders that surround us and how they nurture our dreams and desires.
In practice
This quote could be used in a discussion about the beauty of nature during a poetry reading.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
She respected her husband in the same way as she respected the General Post Office, as something large, secure and fixed: and though she knew the small number of his talents she appreciated his abstract value as a male.
If they cut off both hands, I will compose music anyway holding the pen in my teeth.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
In the haunted house of life, art is the only stair that doesn't creak.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
All architecture has a public nature, I believe, so I would like to make a public space.
The artist's job is to be a witness to his time in history.
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