All my heart is yours, sir: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence forever.
Charlotte BronteRead
But where are you going to, Helen? Can you see? Do you know?-I believe; I have faith: I am going to God.-Where is God? What is God?-My maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me.
Interpretation
The quote expresses deep faith in God and the hope of eventually returning to Him.
In this profound statement, Charlotte Bronte explores themes of faith, the existence of God, and the relationship between the creator and the created. It reflects a deep yearning for divine connection, emphasizing trust in God's eternal goodness and the hope for reunion with the divine. The speaker conveys a sense of peace and assurance in their belief, counting down the moments until they can experience the fullness of God's presence.
In practice
This quote can be shared in a religious gathering to inspire faith among followers.
All my heart is yours, sir: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence forever.
Rochester: "I am no better than the old lightning-struck chestnut-tree in Thornfield orchard…And what right would that ruin have to bid a budding woodbine cover its decay with freshness?" Jane: "You are no ruin sir - no lighting-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop.
I like to see flowers growing, but when they are gathered, they cease to please. I look on them as things rootless and perishable; their likeness to life makes me sad. I never offer flowers to those I love; I never wish to receive them from hands dear to me.
Peril, loneliness, an uncertain future, are not oppressive evils, so long as the frame is healthy and the faculties are employed; so long, especially, as Liberty lends us her wings, and Hope guides us by her star.
For a long time the fear of seeming singular scared me away; but by degrees, as people became accustomed to me and my habits, and to such shadows of peculiarity as were engrained in my nature - shades, certainly not striking enough to interest, and perhaps not prominent enough to offend, but born in and with me, and no more to be parted with than my identity - but slow degrees I became a frequenter of this straight narrow path.
To see and know the worst is to take from Fear her main advantage.
As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.
If you have embraced a creed which appears to be free from the ordinary dirtiness of politics - a creed from which you yourself cannot expect to draw any material advantage - surely that proves that you are in the right?
As a cultural product of both 'East' and 'West', I do not believe there is a fundamental basis for a clash of civilisations, or that the West is the cause of all problems.
I'm not much like myself any more.
Human beings have always been mythmakers.
It was a great mistake, my being born a man, I would have been much more successful as a seagull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must be a little in love with death!
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