People will always be around to tell you you're no good or you're wrong or unwise to keep doing what you want to do. They're wrong. They're always wrong. Keep going.
Elaine StritchRead
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
Interpretation
The quote emphasizes the importance of authenticity and feeling over technical skill in performance.
Elaine Stritch's quote highlights the value of genuine experience in the art of performance, suggesting that connecting with the audience and trusting one's instincts is far more significant than adhering to technical rules or definitions. She dismisses an overemphasis on technique, indicating that true artistry comes from a deep, instinctual understanding of the craft acquired through personal experience and emotional insight.
In practice
An actor could use this quote during a workshop to inspire fellow performers to trust their instincts.
People will always be around to tell you you're no good or you're wrong or unwise to keep doing what you want to do. They're wrong. They're always wrong. Keep going.
It was a pleasant cafe, warm and clean and friendly, and I hung up my old water-proof on the coat rack to dry and put my worn and weathered felt hat on the rack above the bench and ordered a cafe au lait. The waiter brought it and I took out a notebook from the pocket of the coat and a pencil and started to write.
I don't think you can create art out of anger; it has to come out of some form of understanding. You have to feel good about who you are and that you could do something to change things.
And he sang to them, now in the Elven tongue, now in the speech of the West, until their hearts, wounded with sweet words, overflowed, and their joy was like swords, and they passed in thought out to regions where pain and delight flow together and tears are the very wine of blessedness.
So often when Black men have to play roles on TV, we're either the noble savage or we're completely a savage, and there's no nuance.
I've spent so much of my life examining the smallest details. In some ways, it's where I feel most at home. For me, it's super-important to understand all of the different nuances of light and shade. But if you can't paint in primary colours, no one's going to listen to your songs, because they need to feel like something.
I would drive to gigs in my tiny little Fiat. I would shoot up and down the M1 to play at various places.
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