The Truth has shared so much of Itself with me That I can no longer call myself A man, a woman, an angel, Or even pure Soul.
HafezRead
I am a hole in a flute that the Christ's breath moves through. Listen to this music.
Interpretation
The quote suggests that a person's essence can be a vessel for divine inspiration, akin to a musical instrument that produces beauty through an unseen force.
Hafez uses the metaphor of a hole in a flute to illustrate the idea that individuals are conduits for a higher, transcendent forceβin this case, the breath of Christ. This imagery emphasizes the importance of being open to spiritual possibilities, suggesting that one's existence can give rise to profound beauty and harmony when one allows spiritual influence to flow through them.
In practice
During a meditation workshop, one could use this quote to emphasize the importance of being open to spiritual experiences.
The Truth has shared so much of Itself with me That I can no longer call myself A man, a woman, an angel, Or even pure Soul.
I once asked a bird, how is it that you fly in this gravity of darkness? She responded, 'love lifts me.'
The earth has disappeared beneath my feet, It fled from all my ecstasy. Now like a singing air creature I feel the rose keep opening.
For I have learned that every heart will get_x000D_ What it prays for_x000D_ Most.
Love sometimes gets tired of speaking sweetly and wants to rip to shreds all your erroneous notions of the truth that make you fight within yourself, dear one, and with others, causing the world to weep on too many fine days... The Beloved sometimes wants to do us a great favor: Hold us upside down and shake all the nonsense out.
Fear is the cheapest room in the house. I would like to see you living in better conditions.
Now don't think that awakening is the end. Awakening is the end of seeking, the end of the seeker, but it is the beginning of a life lived from your true nature.
A real subjection is born mechanically from a fictitious relation [...] He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself; he inscribed in himself the power relation in which he simultaneously plays both roles; he becomes the principle of his own subjection.
Those oft are stratagems which errors seem Nor is it Homer nods, but we that dream.
I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?
Truth is one forever absolute, but opinion is truth filtered through the moods, the blood, the disposition of the spectator.
Our world, like a charnel-house, is strewn with the detritus of dead epochs.
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