I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
Truman CapoteRead
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
Interpretation
This quote reflects on how intense heat reveals the hidden qualities and life of a city.
Truman Capote's quote poetically describes the transformative power of hot weather on a city, suggesting that elevated temperatures not only reveal the city's infrastructure but also its very essence and vitality. The imagery of a 'white brain' and 'heart of nerves' evokes a sense of the city as a living organism, animated by its inhabitants and environment, with a smell that transcends the ordinary and connects the reader to the raw, almost primal nature of urban life.
In practice
In a discussion about urban life and how it changes with the seasons.
I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
I don't want to own anything until I find a place where me and things go together.
The quietness of his tone italicized the malice of his reply.
My yardstick is how somebody treats me.
The beauty one can find in art is one of the pitifully few real and lasting products of human endeavor.
It would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, as portrayed by Milton.
I wanted to be Gerry Mulligan, only, see, I didn't have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that - except I couldn't afford a baritone, so I bought an alto, which was the same fingering.
You can't just tell actors, especially young ones, to 'act happy' and expect them to do it. They must in some essential way be happy.
And If the surgeon is like a poet, then the scars you have made on countless bodies are like verses into the fashioning of which you have poured your soul.
I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it's like, 'OK, now let me make another one now that I know what I'm doing.'
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