I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
Truman CapoteRead
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
Interpretation
This quote reflects on how intense heat reveals the hidden qualities and life of a city.
Truman Capote's quote poetically describes the transformative power of hot weather on a city, suggesting that elevated temperatures not only reveal the city's infrastructure but also its very essence and vitality. The imagery of a 'white brain' and 'heart of nerves' evokes a sense of the city as a living organism, animated by its inhabitants and environment, with a smell that transcends the ordinary and connects the reader to the raw, almost primal nature of urban life.
In practice
In a discussion about urban life and how it changes with the seasons.
I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
I don't want to own anything until I find a place where me and things go together.
The quietness of his tone italicized the malice of his reply.
My yardstick is how somebody treats me.
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one's work caged in art's great zoos - the Modern, the Met, the Louvre?
A work-room should be like an old shoe; no matter how shabby, it's better than a new one.
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
To try to understand the real significance of what the great artists, the serious masters, tell us in their masterpieces, that leads to God; one man wrote or told it in a book; another, in a picture.
Art happens-no hovel is safe from it, no prince may depend upon it, the vastest intelligence cannot bring it about.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Subscribe for the occasional hand-picked quote. No noise.