You can't kill the past by denying the past. You can kill it only by making it obsolete. And even in that, you have to find honor in the past. You can't hack off pieces of yourself, and expect them to grow again.
Jeff BuckleyRead
I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.
Interpretation
The quote reflects the transformative power of music and singing in human experiences, especially in love and connection.
Jeff Buckley expresses how becoming immersed in music allows one to rediscover their innate abilities while also emphasizing the emotional release and joy that singing brings. He links the act of singing to personal connections such as flirting and courtship, suggesting that music serves as a vital element in human relationships and affection.
In practice
A musician might use this quote to inspire their audience during a live performance.
You can't kill the past by denying the past. You can kill it only by making it obsolete. And even in that, you have to find honor in the past. You can't hack off pieces of yourself, and expect them to grow again.
Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.
Grace is what matters. In anything. Especially life, especially growth, tragedy, pain, love, death. About people, that's what matters. That's a quality I admire very greatly. It keeps you from reaching for the gun too quickly; it keeps you from destroying things too foolishly; it sort of keeps you alive and keeps you open for more understanding.
I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I'm lying in my bed, blanket is warm, this body will never keep me safe from harm. I still feel your hair, black ribbons of coal. Touch my skin to keep me whole. If only you'd come back to me. To feel you at my side, wouldn't need no Mojo Pin to keep me satisfied.
Ordering a man to write a poem is like commanding a pregnant woman to give birth to a red-headed child.
The musician is perhaps the most modest of animals, but he is also the proudest. It is he who invented the sublime art of ruining poetry.
Of course poets have morals and manners of their own, and custom is no argument with them.
The sound of the rain needs no translation. In music one doesn't make the end of the composition the point of the composition... Same way in dancing, you don't aim at one particular spot in the room... The whole point of dancing is the dance.
Now I need to take a piece of wood and make it sound like the railroad track, but I also had to make it beautiful and lovable so that a person playing it would think of it in terms of his mistress, a bartender, his wife, a good psychiatrist - whatever.
This is the beauty I want. Beauty has got to be astonishing, astounding-- it's got to burst in on you like a dream, like the exquisite eyes of a girl.
Subscribe for the occasional hand-picked quote. No noise.