Iconic Paris tells us: here are our three-star attractions, go thou and marvel. And so we gaze obediently at what we are told to gaze at, without exactly asking why.
Interpretation
The quote critiques the passive acceptance of cultural norms and attractions without questioning their significance.
Julian Barnes's quote reflects on how iconic places, like Paris, present a curated experience that encourages visitors to admire certain attractions without critically engaging with them. This implies a broader commentary on society's tendency to follow prescribed values and attractions without questioning their underlying meaning or relevance in our lives.
In practice
This quote could be used in a discussion about cultural tourism at a seminar.
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Is despair wrong? Isn’t it the natural condition of life after a certain age? … After a number of events, what is there left but repetition and diminishment? Who wants to go on living? The eccentric, the religious, the artistic (sometimes); those with a false sense of their own worth. Soft cheeses collapse; firm cheeses endurate. Both go mouldy.
It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.
But I’ve been turning over in my mind the question of nostalgia, and whether I suffer from it. I certainly don’t get soggy at the memory of some childhood knickknack; nor do I want to deceive myself sentimentally about something that wasn’t even true at the time—love of the old school, and so on. But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty.
And that's a life, isn't it? Some achievements and some disappointments. It's been interesting to me, though I wouldn't complain or be amazed if others found it less so. Maybe, in a way, Adrian knew what he was doing. Not that I would have missed my own life for anything, you understand. [pp.60-61]
Every love story is a potential grief story.
The greater the diversity, the greater the perfection.
Truth has beauty, power, and necessity.
What's this war in the heart of Nature? Why does Nature vie with itself? The Land contend with the Sea? Is there an avenging power in Nature? Not one power, but two?
Sentient beings, self and others, enemies and dear ones-all are made by thoughts. It is like seeing a rope and mistaking it for a snake. When we think that the rope is a snake, we are scared, but once we see that we are looking at a rope, our fear dissipates. We have been deluded by our thoughts. Likewise, mentally fabricating self and others, we generate attachment and aversion.
But harder still it has proved to resist and rule the dragon Money, with his paper wings. Chancellors and Boards of Trade, Pitt, Peel, and Bobinson, and their parliaments, and their whole generation, adopted false principles, and went to their graves in the belief that they were enriching the country which they were impoverishing.
All things are our relatives; what we do to everything, we do to ourselves. All is really One.
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