Look, Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
Robert DuvallRead
I'll keep on acting 'til they wipe the drool. I like the business. I like to do different parts and diverse characters. I haven't lost my enthusiasm yet!
Interpretation
The quote emphasizes the enduring passion and enthusiasm for acting, suggesting a commitment to the craft regardless of challenges.
Robert Duvall expresses his unwavering dedication to acting, highlighting his enjoyment in portraying diverse characters and his refusal to give up even when faced with obstacles. This reflects not only his love for the craft but also a broader sentiment about perseverance and maintaining enthusiasm for one's passions throughout life.
In practice
During a motivational speech about pursuing your dreams.
Look, Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
Smell that? You smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning.
We're all travelers in this world. From the sweet grass to the packing house. Birth 'til death. We travel between the eternities.
Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
Not every successful man is a good father. But every good father is a successful man.
I like to be buttoned onto tradition. The thing is to improve it, twist it and mold it; to make something new of it; not to deny it. The riches of history can be plucked at any point.
Life is short and art is long.
Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
All that is good in art is the expression of one soul talking to another, and is precious according to the greatness of the soul that utters it.
I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue.
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film β you jump out, you think about the surface, and you don't stay in there with the characters and the story.
Subscribe for the occasional hand-picked quote. No noise.