In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
Frances McdormandRead
I'm not an actor because I want my picture taken. I'm an actor because I want to be part of the human exchange.
Interpretation
The quote expresses the idea that acting is about deeper human connections rather than seeking fame.
Frances McDormand emphasizes that being an actor is not driven by the desire for recognition or to have one's image captured, but rather to actively participate in the intricate web of human interactions and emotions. This perspective highlights the art of acting as a profound means of storytelling and connection, where the focus is on shared experiences and understanding among people.
In practice
In a speech at an awards ceremony to celebrate actors who focus on storytelling.
In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
That's another great thing about getting older. Your life is written on your face.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
People love fashion exhibits because they can fantasize. They can respond to a dress even if they can never wear a dress like that.
Not everybody trusts paintings but people believe photographs.
So I have no grounds to complain; on the contrary, writers should consider the condition of permanent controversiality to be invigorating, part of the risk envolved in choosing the profesión. It is a fact of life that writers have always and with due consideration and great pleasure spit in the soup of the high and mighty. That is what makes the history of literature analogous to the development and refinement of censorship.
I used to tremble from nerves so badly that the only way I could hold my head steady was to lower my chin practically to my chest and look up at Bogie. That was the beginning of The Look.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
I ground matter to find the continuous line. And when I realized I could not find it, I stopped, as if an unseen someone had slapped my hands.
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