Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Junot DiazRead
I'm of African descent and my sister looks completely black, but I didn't look black. I was the super-nerdy kid who was also willing to fight.
Interpretation
The quote reflects the complexities of racial identity and personal experience within a family.
Junot Diaz's quote addresses the nuances of racial identity, highlighting his unique position within his family and community. He contrasts his appearance and personality with that of his sister, illustrating how societal perceptions of race can differ significantly among individuals, even within the same family, and how these differences shape personal experiences and self-perception.
In practice
In a discussion about cultural diversity, this quote can illustrate the different experiences people have based on their appearance.
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves.
I think 90% of my ideas evaporate because I have a terrible memory and because I seem to be committed to not scribble anything down. As soon as I write it down, my mind rejects it.
I don't feel I was 'born American,' but my homeland was denied to me after the end of World War II, and I craved something I could identify with. When I became a student at Harvard in the 1950s, America very quickly filled the vacuum. I felt I was American, but I think it's more revealing of America how quickly others here accepted me.
I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.
Blackness remains the coat you can't take off.
I must identify myself with Africa. Then I will have an identity.
It's ironic that no matter where I go, I meet people from Brooklyn. I'm proud of that heritage. It's where I'm from, who I am.
I knew that I was trans when I was three years old. Well, I didn't know 'trans' because I didn't know there was a word for it, but I just knew that in my head and my heart that I was supposed to be a girl.
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