However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
Samuel R. DelanyRead
I'm not about either entertaining or instructing. The entertaining and instructing are secondary fallout from the fundamental thing, which is basically to create an aesthetic object.
Interpretation
The primary purpose of art is to create beauty, while teaching or entertaining is a secondary outcome.
In this quote, Delany emphasizes that the true essence of art lies in the creation of an aesthetic object, suggesting that the role of an artist is to evoke beauty rather than merely to entertain or instruct. He asserts that the experiences of entertainment and instruction stem from the artistic creation itself, rather than being the main goal.
In practice
During an art exhibition opening, this quote could be shared to express the philosophy behind the pieces displayed.
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
The only important elements in any society are the artistic and the criminal, because they alone, by questioning the societyβs values, can force it to change.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
The world around us is in a sea change, and I think the glory of art is that it cannot only survive change, it can lead it
I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
The idea is, if I can't heal from my art, then how can you heal?
Here the frailest leaves of me and yet my strongest lasting, Here I shade and hide my thoughts, I myself do not expose them, And yet they expose me more than all my other poems
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