If a scene is longer than three pages, it better be for a good reason.
Alan BallRead
You know, I'm gay and I grew up being aware of that at a very early age, in a fairly repressed family.
Interpretation
This quote highlights the experience of growing up with a different sexual orientation in a conservative environment.
Alan Ball's quote reflects the personal challenges and awareness of one's identity in a repressive family setting. It underscores the difficulties faced by individuals who identify as LGBTQ+ in environments that may not fully accept or understand them, emphasizing the importance of self-acceptance despite societal or familial pressures.
In practice
During a speech at a pride event, one might say, 'As Alan Ball reminds us, growing up gay in a repressive environment can be challenging but is a journey of self-discovery.'
If a scene is longer than three pages, it better be for a good reason.
It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality; just buy these products, and you'll be forever young and happy.
Death is a companion for all of us, whether we acknowledge it or not, whether we're aware of it or not, and it's not necessarily a terrible thing.
I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
I was conveniently bisexual for a long time, and then I went, 'Come on, who am I kidding?' And I have to say, it was the single biggest step I took toward emotional well-being, to stop feeling like I had to hide who I am.
I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
He tried to give his wife pleasure in little ways, because he had come to realize, after nearly two decades together, how often he disappointed her in the big things. It was never intentional. They simply had very different notions of what ought to take up most space in life.
Mother says there are locked rooms inside all women, kitchen of love, bedroom of grief, bathroom of apathy. Sometimes, the men, they come with keys, and sometimes the men, they come with hammers.
Here's the thing: When you become brilliant at listening, people feel that you care about them. When they feel you care about them, they begin to care about you. And when people care about you, your success becomes a part of how they define their success.
Human attention tends to be focused on the satisfactions relationships are hoped to bring, precisely because somehow they have not been truly satisfactory. And if they do satisfy, the price of this satisfaction has often been found to be unacceptable.
S and M is only the expression in the bedroom of an oppressive-submissive relation which can happen also in the kitchen or at the factory, can happen between people of any gender. There is obviously something titillating about these relationships, but it isn't the sexual components that makes them ugly, they're uglier elsewhere. Nothing sexual is depraved. Only cruelty is depraved, and that's another matter.
It seems that soccer tournaments create those relationships: people gathered together in pubs and living rooms, a whole country suddenly caring about the same event. A World Cup is the sort of common project that otherwise barely exists in modern societies.
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