The Rykiel woman? She doesn't have time to stop time. She's too busy running. In her hands she's carrying a tote, a baby, a book, a camera.
Sonia RykielRead
I'm not brave, I'm not fantastic. I'm like any other woman. I'm unhappy. I'm difficult. I'm sad. Am I strong, too? Maybe, but not always. There are days when I don't want to see anyone. The most important thing you learn? You can live with it.
Interpretation
The quote reflects the complexity of emotions and strength in vulnerability.
Sonia Rykiel's quote expresses the duality of human experience, highlighting that strength does not negate feelings of sadness and difficulty. It emphasizes the reality that everyone has moments of weakness, yet it is possible to coexist with those feelings and continue to live fully despite them.
In practice
During a motivational speech about overcoming personal challenges.
The Rykiel woman? She doesn't have time to stop time. She's too busy running. In her hands she's carrying a tote, a baby, a book, a camera.
It doesn't matter one damn bit whether fashion is art or not. You don't question whether an incredible chef is an artist or not-his cakes are delicious and that's all that matters.
It's not true that clothes look better on skinny girls; what counts is the attitude.
When a woman confuses what she is with what she wears, then something is wrong inside.
The pill was the liberation of the spirit of women.
I have never followed fashion. What is fashion to me? I just think of things that inspire me, that inspire women, and I design that way.
Here am I. I'm 38. My career's probably never been better. And I've made a decision which may or may not impact on it - I refuse to hide my experience and my age, as if it's something I should be ashamed of. I'm alive. I know lots of people who've never been lucky enough to get to this stage in their life. And I'm not gonna hide it for anybody.
Thus thought I, as by night I read Of the great army of the dead, The trenches cold and damp, The starved and frozen camp,-- The wounded from the battle-plain, In dreary hospitals of pain, The cheerless corridors, The cold and stony floors. Lo! in that house of misery A lady with a lamp I see Pass through the glimmering gloom And flit from room to room. And slow, as in a dream of bliss, The speechless sufferer turns to kiss Her shadow, as it falls Upon the darkening walls.
Even in my really bad, drugged-out days, I didn't go away. I still toured, still did interviews. I never gave up the fight. That's why I'm who I am today, because I didn't leave. And I think I made the right choice.
I should not proceed by land to the East, as is customary, but by a Westerly route, in which direction we have hitherto no certain evidence that any one has gone.
Sometimes people try to destroy you, precisely because they recognize your power - not because they don't see it, but because they see it and they don't want it to exist.
A lot of the media says, 'oh, black musician converts X-number of Klansmen.' I never converted one. But over 200 have left that, the white supremacy movements, because I have been the impetus for that.
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