Bullying is the use of force, threat, or coercion to abuse, intimidate, or aggressively impose domination over others. Help a friend.
Leonard NimoyRead
I'm attracted to images that come from a personal exploration of a subject matter. When they have a personal stamp to them, then I think it becomes identifiable.
Interpretation
Personal experiences in art create unique and relatable expressions.
In this quote, Leonard Nimoy emphasizes the significance of personal exploration in creating art. He suggests that when an artist infuses their own experiences and emotions into their work, it transforms the artwork into something that others can identify with and connect to on a deeper level.
In practice
A speaker at an art gallery discussing how personal experiences shape artistic expression.
Bullying is the use of force, threat, or coercion to abuse, intimidate, or aggressively impose domination over others. Help a friend.
Greetings, I am pleased to see that we are different. May we together become greater than the sum of both of us.
Art functioning as propaganda is not art.
But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.
You proceed from a false assumption: I have no ego to bruise.
I think it's my adventure, my trip, my journey, and I guess my attitude is, let the chips fall where they may.
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
Dancing can reveal all the mystery that music conceals.
Making art in America is about saving one's soul.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
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