Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
Interpretation
Roy Lichtenstein reflects on the tension in commercial art between its rigid nature and the freedom of artistic expression.
In this quote, Roy Lichtenstein discusses the paradox found in commercial art, where typical conventions and clichéd forms create a seemingly rigid framework. However, he emphasizes that true art transcends these constraints, highlighting the inherent conflicts that arise when artistic expression is subjected to the limitations of commercial expectations.
In practice
In a discussion on the evolution of art at a gallery opening.
I don't know why you'd want to say your work comes from nature, because art is related to perception, not nature. All abstract artists try to tell you that what they do comes from nature, and I'm always trying to tell you that what I do is completely abstract. We're both saying something we want to be true.
Making something good and saying something brilliant are not two things. When you make your own statement, there is a higher energy level, and you do better painting.
I figured as long as the music stayed hot and important and good, that there would always be a reason for 'Soul Train.'
He who pretends to be either painter or engraver without being a master of drawing is an imposter.
None of the films I've done was designed for a mass audience, except for 'Indiana Jones.' Nobody in their right mind thought 'American Graffiti' or 'Star Wars' would work.
Because I direct films, I have to live in a major English-speaking production center. That narrows it down to three places: Los Angeles, New York and London. I like New York, but it's inferior to London as a production center. Hollywood is best, but I don't like living there.
For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.
The poet, therefore, is truly the thief of fire. He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be found…of the soul, for the soul and will include everything: perfumes, sounds colors, thought grappling with thought
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