Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael HanekeRead
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
Interpretation
Creating art helps individuals process their emotions and challenges.
In this quote, Michael Haneke expresses the therapeutic nature of filmmaking and art. He believes that the ability to create serves as a valuable outlet for artists, allowing them to confront and manage their fears, unhappiness, and neuroses through their work. This privilege enables artists to transform personal struggles into meaningful expressions, contributing both to their personal growth and to the world of art.
In practice
In a speech at an art event, one could say, 'As Michael Haneke noted, creating art allows us to process our fears and emotions.'
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
All movies assault the viewer in one way or another.
An artist is someone who should raise questions rather than give answers. I have no message.
It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
Cut word lines β Cut music lines β Smash the control images β Smash the control machine β Burn the books β Kill the priests β Kill! Kill! Kill!
I went to the zoo one day and saw a chimp playing with a beat-up acoustic guitar in a way I had never seen before. Instead of using the pick the chimp was banging the neck and tapping it with its fingers. I knew the chimp was on to something so I practiced this new technique in my room for hours until I'd perfected it.
The hardest song to write is a protest song, a topical song with meaning.
Mona Lisa must have had the highway blues; you can tell by the way she smiles.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
But don't tell me I'm not sensitive to beauty. That's my Achilles' heel, and don't you forget it. To me, everything is beautiful. Show me a pink sunset and I'm limp, by God.
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